Floraïku Paris
Clara and John Molloy founded Floraïku Paris in 2017 after travelling to Japan. The name combines Flora and Haiku, while the collections translate this idea into themes of tea, flowers, and incense. Shadowing forms a separate system with two fragrances designed to accompany other compositions from the house.
Brand story and character
Clara and John Molloy founded Floraïku Paris in 2017. The idea for the new house arose after a journey to Japan. The founders already had experience of creating a perfume brand: Memo Paris began in 2007. These dates distinguish two independent projects and do not make Floraïku a simple renaming of the earlier brand.
The name Floraïku brings together two words and two images, Flora and Haiku. The first connects the brand with nature; the second refers to the three-line Japanese poetic form. The name establishes a way of organising the collection: a concise image and a cultural association frame each fragrance without replacing its individual formula.
Three principal groups centre on tea, flowers, and incense. The house relates them to the tea ceremony, ikebana, and kōdō, the art of appreciating incense. They are three thematic directions rather than a single olfactory pyramid, and every release within them requires its own reading.
Floraïku Paris also develops the Shadowing system. It consists of Sleeping On The Roof and Between Two Trees. These two fragrances are intended to be worn beside another Floraïku composition in order to alter its perception. Shadowing therefore describes a method of combination, not a promise of a universal result with every scent.
The Moon And I offers a specific example of the tea direction. Its key references are maté, matcha extract, and cedar, and it is presented as a rich, smoky black-tea scent. This description belongs to one release and cannot automatically characterise every fragrance in the tea group.
Maté and matcha bring different facets of the tea theme, while cedar adds a woody coordinate. A list of three materials cannot fully describe pace, longevity, or projection. Those qualities need to be assessed in the composition itself.
Floraïku Paris offers two different starting points. The Moon And I explores smoky black tea through maté, matcha, and cedar. Shadowing provides another experience: Sleeping On The Roof or Between Two Trees is worn beside a chosen fragrance from the house so that you can compare how its character changes.
Floraïku Paris offers two different starting points. The Moon And I explores smoky black tea through maté, matcha, and cedar. Shadowing provides another experience: Sleeping On The Roof or Between Two Trees is worn beside a chosen fragrance from the house so that you can compare how its character changes.
Floraïku Paris offers two different starting points. The Moon And I explores smoky black tea through maté, matcha, and cedar. Shadowing provides another experience: Sleeping On The Roof or Between Two Trees is worn beside a chosen fragrance from the house so that you can compare how its character changes.
Brand fragrances

I See the Clouds Go By
I See the Clouds Go By brings vivid cassis together with delicate cherry blossom and white musk. The fruit feels fresh, green and aromatic rather than heavy; the floral note lends an airy...

The Moon and I
The Moon and I is spare, natural and composed. Mate opens with a vivid green bitterness, tea carries that impression into a clearer aromatic register, and cedar gives the fragrance a dry...

Young at Heart
Young at Heart feels juicy yet airy, placing watermelon’s watery freshness beside osmanthus and jasmine. The fruit remains transparent rather than syrupy, surrounded by an ozonic sheen, l...

And Your Lips
And Your Lips moves from mandarin and bergamot into an aromatic blend of lavender and clary sage, with jujube blossom adding another floral facet. Turkish rose then appears alongside Egyp...

Levitating
Levitating begins with bergamot, mandarin and the green spice of angelica. Black tea and mate bring a dry, tart character to the heart, animated by clove. Bourbon vanilla then softens a b...

I Dream of Paris
I Dream of Paris sets plum, apple and gooseberry against the brightness of blood orange and mandarin. Turkish rose, May rose and Turkish rose oil give the floral centre breadth, while myr...

This July Evening
This July Evening reveals a fresher side of vanilla. Chamomile cuts through its sweetness with a dry herbal lift, while jasmine adds a gentle white-floral radiance. The result is warm and...

In The Dark
In The Dark opens with Sicilian lemon and mint, a cool, lucid contrast to the Turkish rose that follows. Nutmeg introduces dry warmth; incense and patchouli deepen the composition with sm...

AO
AO pairs the ripe sweetness of fig with the bright citrus pulse of tangerine, then dusts the fruit with violet’s powdery softness. Pink pepper adds a lively spicy flicker, while jasmine b...

Between Two Trees
Between Two Trees is built from three precisely drawn materials: grapefruit with its juicy bitter edge, mate with its green astringency, and vetiver with dry, earthy woodiness. Fresh and...

Flowers Turn Purple
Flowers Turn Purple opens with basil’s brisk green spice before placing lavender at the centre: cool, aromatic and herbal. Amberwood raises the temperature underneath, giving the composit...

Golden Eyes
Golden Eyes centres on the dry grain of cedar, vetiver and sandalwood, deepened by patchouli. Black tea and leather bring shadow and texture, while nutmeg and pink pepper supply measured...

I Am Coming Home
I Am Coming Home has an immediate, clear energy. Ginger provides the bright, fresh-spiced opening; white tea brings a clean green lightness; and cardamom adds a quiet warmth underneath. W...

In The Rain
In The Rain is built around a clear woody line. Bergamot brings a bright citrus opening, cedar supplies dry structure, and musk gives the base a softer, lightly powdery finish. Fresh and...

Just A Rose
Just A Rose presents its central flower with clarity, then gives it definition through contrast. Bergamot adds citrus brightness and a fresh-spiced edge, while guaiac wood creates a dry,...

My Love Has the Colour of the Night
My Love Has the Colour of the Night is a concentrated study in wood and earth. Guaiac wood establishes its dark, substantial opening, patchouli adds a rich earthy texture, and vetiver dra...

My Shadow on the Wall
My Shadow on the Wall opens with the cool green character of violet leaf, then brightens into the powdery yellow bloom of mimosa. Sandalwood supports both with a smooth woody warmth. Flor...

Sleeping on the Roof
Sleeping on the Roof pairs the green freshness of lily-of-the-valley with the gentler white-floral tone of orange blossom. Musk lends a clean, softly powdered texture, while amber brings...

The Mountain Standing Still
The Mountain Standing Still sets deep oud against black tea and saffron. Tea contributes green bitterness and dry freshness; saffron adds warm spice, while oud forms a dark woody centre e...

Volcanic Flowers
Volcanic Flowers brings hot spice into contact with dry woods and the darker pull of coffee. Cardamom and pepper create a lively opening charge; olibanum and patchouli deepen the composit...

Cricket Song
Floraiku Cricket Song keeps its palette concise. Bergamot supplies the citrus light, magnolia forms a clean floral centre, and vetiver draws a dry, green-woody line underneath. The result...

First Dream of the Year
Floraiku First Dream of the Year moves from the lucid brightness of grapefruit to the soft glow of orange blossom. Iris gives the final impression a powdery hush, balancing citrus freshne...

One Umbrella for Two
Floraiku One Umbrella for Two is fruity without becoming a simple burst of sweetness. Black currant and cyclamen bring tart greenery and cool floral air; tea and rice create a gentle, sav...

Sound of a Ricochet
Floraiku Sound of a Ricochet uses only three named notes, yet its mood is complete. Vanilla absolute leads with rounded sweetness, tonka bean adds a powdery, warm-spiced facet, and sandal...
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